I was acting outrageously. This is the utopia he experiences, although limited in the purgatory. This is true, however, he fails to understand one key point that Auster attempts to illustrate. Alford makes no reference to the meaning of colors represented in the novel, however it plays a very important role. This is first seen in City of Glass, when the hero, Quinn, first travels to meet Peter Stillman. Austers message is clear: Stillman is an emulation of Quinns long lost son. The centre and the main character in the story is Daniel Quinn, but he is referred to in 3rd person, which means that he is not the narrator. Blue is now aware that the assignment has killed him.
This explains two things: first, that the events in The Locked Room must have taken place after City of Glass since Quinn has adopted his status as a private eye; second, that The Narrator is already in his utopian purgatory which includes Sophie Fanshawe because. Again it is the same connection to a messenger from the afterlife that sets the protagonist on the path to find their utopian purgatory. There is more of a spiritual connotation that follows his disappearance.
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This further exemplifies the connection between the color white and spiritual contexts. This threshold is the border between the space that Alford describes. Alford gives a simple explanation, Quinn/Auster ceases to exist (614). Not Fanshaweever again!' (299). These protagonists are only able to be lured once they have experienced death; death that represents the destruction of their egos and separation of their connections to their reality. The benefits of occupying such a space is that one can alternate between reality and the afterlife. Fanshawe undergoes his own death experience. After the death of Quinns wife and son he never planned to keep on living. It is further exemplified after Peter Stillman explains his situation to Quinn. He needs me to prove that hes alive (178).
The form of the three interwoven stories, City of Glass, Ghosts and The Locked Room which culminates into a trilogy under the name. New York, is a tableau which shows the fear of the loss of identity within a megalopolis. New York Trilogy, critical, essays, paul Auster.