has little meaning and light. For myself (since it comes back in the last resort, as I say, to the preference of the individual the picture of the child's experience has the advantage that I can at successive steps (an immense luxury, near to the 'sensual pleasure' of which. The degree of interest that lies in these moments that the author presents in his book depends on the way they are described, not in the event itself. Catching the very note and trick, the strange irregular rhythm of life, that is the attempt whose strenuous force keeps Fiction upon her feet. Besant's suggestive lecture, might, without fear of misleading him, be addressed to the ingenuous student. so that it comes back very quickly, as I have said, to the liking; in spite. Another still would say that it means being full of incident and movement, so that we shall wish to jump ahead, to see who was the mysterious stranger, and if the stolen will was ever found, and shall not be distracted from this pleasure. There is the great difference, in short, between what they talk of in conversation and what they talk of in print.
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Besant's essay confirms the revelation. I do not pretend to estimate the degree of interest proceeding from them, for this will depend upon the skill of the painter. Some people, for excellent reasons, don't like to read about carpenters; others, for reasons even better, don't like to read about courtesans. It is not expected of the picture that it will make itself humble in order to be forgiven; and the analogy between the art of the painter and the art of the novelist is, so far as I am able to see, complete. He struck the note of life where Gustave Flaubert missed it-he flew in the face of a presumption and achieved a victory. They will tell you glibly that artistic considerations have nothing to do with the disagreeable, with the ugly; they will rattle off shallow commonplaces about the province of art and the limits of art, till you are moved to some wonder in return. It is a question surrounded with difficulties, as witness the very first that meets us, in the form of a definite question, on the threshold. In his text, Besant presents his believe that fiction is one of the Fine Arts, seeing fiction as a very artistic form of it3, restricts the author's freedom and explains several laws that the author of fiction has to respect. The danger that he has in mind is rather, I imagine, that of particularizing, for there are some comprehensive remarks which, in addition to those embodied. But one of these productions strikes me as exactly as much of a novel as the other, and as having a 'story' quite as much. It appears to me that no one can ever have made a seriously artistic attempt without becoming conscious of an immense increase-a kind of revelation-of freedom. It lives upon exercise, and the very meaning of exercise is freedom.
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